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Judd Apatow was not happy with Warner Bros. Discovery’s decision last year to license a handful of HBO original series to Netflix. Many shows includingInsecure,Band of Brothers,The Pacific,Six Feet Under, andBallerswere licensed to the streaming platform. Apatow described this move as scary because Netflix could buy around older shows and stream them to their audience, rather than investing millions on new shows. However,X-Menwriter Zack Stentz couldn’t agree with Apatow’s views.

Judd Apatow on the sets of The King of Staten Island

Stentz shared that creatives like Apatow should also think about making money for the people. He pointed out the example ofSuits, which gained newfound popularity on Netflix and Peacock last year, raking in money years after its finale premiered.

X-MenWriter Slams Judd Apatow’s Take On Netflix Purchasing Licenses Of Shows

X-Men: First Classwriter Zack Stentz, who worked on shows likeFringeandThe Flash, couldn’t understand whyJudd Apatowwas angry about Netflix’s move. He explained on hisX threadthat Netflix’s ‘new’ licensing model was actually not anything new, but the one that existed for decades until a few years back. Stentz shared that licensing shows to other outlets was a welcome move for a number of reasons.

Making shows and then licensing them to other outlets was a viable and lucrative model for more than 50 years before the tech companies decided to come in and break it. The fact that it’s coming back should be a cause for celebration, not alarm.https://t.co/D7ub40AcAn

The cast of Suits

— Zack Stentz (@MuseZack)June 09, 2025

Stentz shared that he would be happy to receive the residual paychecks if a studio decided to resell his old TV shows to other streamers. He particularly pointed out the case ofSuitswhich made a ton load of money after re-releasing the show on Netflix. Moreover, the show’s success on Netflixspawned a spin-off,Suits: L.A., at NBCUniversal, which goes against Apatow’s point about the potential situation where no new shows are being made.

Adam Driver Almost Said No to Kylo Ren of Star Wars Due to a Judd Apatow Series

Stentz also directly addressed Apatow’s fear stating that companies will continue to make shows in the hope of making more money. These streaming companies will make their money from selling ads, subscription fees, or licensing their shows to others. He called it the“fundamental laws of supply & demand & profitability”in the industry. This was largely interrupted in the years 2015 to 2021 when companies were taking huge losses to make their streaming services successful.

Adam Driver Almost Said No to Kylo Ren of Star Wars Due to a Judd Apatow Series

TheThorwriter further shared that more writers in the industry wanted to become visionaries rather than make people money in the process. He shared another perspective on a writer’s attitude, which he shared,“I write clean pages quickly & can write to the showrunner’s voice & make his or her job easier”. He slammed the writers for relying too much on finding creative satisfaction from the project rather than on making more money.

Judd Apatow Worries About A Lack In Quality Filmmaking

Judd Apatow earlier shared with Variety that the ‘new’ model of Netflix will hinder the studio from indulging in quality filmmaking or taking big risks, like how Universal did withOppenheimer. Apatow shared that he hated the usage of the word“content”as many of the streamers’ intentions were just eyeball time online. He shared that he wouldn’t be surprised if he found out that P*rnhub bought Paramount+. Apatow shared withVariety:

“And for some of them — not all of them — their intentions are just eyeball time online. I don’t know if they’re obsessed with quality filmmaking in the way other owners of these entities have been in the past. That’s why they started calling it ‘content.’ All of a sudden, they diminished it as much as it possibly could be. I don’t think it would be that weird if you read something in the paper that P*rnhub bought Paramount+.”

Cillian Murphy won Best Actor for Oppenheimer

Apatow shared thatthe success ofOppenheimerclearly suggests that people don’t want eyeball content, but movies that challenge them and are original cinematic experiences. While Apatow’s creative takes might be valid, the industry as a whole is in a bit of financial trouble. WBD is recovering from its recent financial losses and the Netflix deals are helping the studio to get back on track.

“I don’t want him doing it”: Jonah Hill Begged Judd Apatow to Fire His Co-Star from Emma Stone Starrer ‘Superbad’ After Finding Him Unbearable

As Zack Stentz rightly points out, making people money should be one goal that filmmakers prioritize during such difficult times.

Hashim Asraff

Senior Writer

Articles Published :3019

Hashim Asraff is a Senior Entertainment Writer at FandomWire, with over 2,800 articles published on celebrity culture, comic book movies, and major TV franchises. With a background in Sociology and a keen interest in pop culture, Hashim brings a unique lens to breaking news stories, character deep-dives, film rankings, and fan-driven perspectives.His coverage often includes the MCU, DCU, hit network shows, and celebrity profiles, giving readers a rich blend of entertainment and analysis. A longtime fan of crime and investigative series, Hashim has watched thousands of episodes of NCIS, Criminal Minds, Law & Order: SVU, Bones, Blue Bloods, and The RookieA passionate storyteller and wordsmith, Hashim has also worked as a ghostwriter and managed multiple social media handles. He brought his writing expertise to FandomWire to also pursue his lifelong love for cinema and television.

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Judd Apatow

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